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Argentario represents an invitation to let yourself go to the pleasure of rest, of reading, to the singing of birds as to the coolness of the trees or the breath of the wind. This sunbed recovers the aesthetic language of the outdoor family with clean tubular lines and visible straps, accompanied by the integrated support surface for complete relaxation. The subtle lightness of the mattress, characterized by geometric patterns, makes it harmonious and graphiccato Argentario, giving it a refined elegance, typical of an excellent furnishing expression.

The repositionable support surface recovers the methods of use of the sofa, confirming the idea of ​​functionality at the service of pleasure.

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Composed of tight lines, in solid wood, the tables appear like signs of solar shadows and cutouts of tops in two finishes: one in Corten steel and the othermaltata, which intersect with each other generating the expressive lexicon of Talamone. A personal, idealized interpretation of Mediterranean sunshine placed in dialogue with rhythmic oriental shades, in a stratification of signs and chromatic accents, typical of the multicultural language of our time. The silhouettes of the plans, composed and irregolari, refer to a modernly primordial craftsmanship of composing.

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For Gino Carollo, compromise has never been an option. The exterior should always have the same level of style and comfort as what we produce for the interior. Inspired by a connection with nature, Santos uses strong geometric lines which, intertwining and overlapping, create a dynamic shape. Through the use of resistant materials, treated to be protected all year round, functionality is a priority, but it never overshadows the strong design that unites the desire between indoor and outdoor space. One glance at this design is enough to mistakenly think that this is a piece of furniture suitable for any interior space. Yet that is precisely the point, isn’t it? Why should the outside be less pleasant when, in fact, it’s quite the opposite.

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Punta Ala establishes a dialogue centered on the contrast between the taut, tubular lines of the supporting body and the soft, elementary volumes, using a lexicon based on compositional purity, obtaining as a result a sofa with an airy and light shape. The aesthetic leitmotif is represented by the straps with a pleasantly elaborate warp and weft design, one of a kind. The straps, originating from a single ribbon, follow one another in the backrest, forming a spiral weave in one seamless motion, producing a particularly characterizing dynamic zig-zag pattern. The resulting sensation is one of lightness and freshness, like a sea breeze that caresses and invigorates.

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